10 Best Songs With The Word 'Lady' In The Title (2024)

Feature Photo: Brandon Nagy / Shutterstock.com

The word “Lady” has long been one of the most popular and evocative terms in rock and roll, bringing with it a sense of admiration, romance, and intrigue. With hundreds—if not thousands—of songs using “Lady” in the title, narrowing down a list of only ten tracks was no small feat. However, the selections here represent a rich and varied exploration of this timeless theme, showcasing different musical approaches and perspectives. From soulful ballads and introspective musings to funk-infused grooves and raw rock energy, each song brings a unique interpretation of the word “Lady” and captures a distinct facet of its allure.

Styx’s “Lady” opens with heartfelt devotion and powerful rock instrumentation, a song dedicated to romantic admiration that resonates with its sincerity and soaring melodies. The Beatles’ “Lady Madonna” follows with an upbeat, boogie-woogie rhythm as Paul McCartney pays homage to working-class resilience in a track that’s both celebratory and timeless. Little River Band’s “Lady” offers a smooth, easygoing vibe, mixing tender lyrics with soft rock warmth, while Aerosmith’s “Dude (Looks Like a Lady)” adds humor and hard rock swagger, with Steven Tyler’s playful lyrics exploring themes of attraction and identity.

Bob Dylan’s “Lay Lady Lay” brings a gentle, country-infused sound that stands out for its tenderness and straightforward romantic appeal, contrasting beautifully with the Isley Brothers’ “That Lady, Pt. 1,” a funk-rock powerhouse defined by electrifying guitar work and an undeniable groove. Sugarloaf’s “Green Eyed Lady” offers a psychedelic jazz-rock fusion, marked by hypnotic organ riffs and an atmospheric feel that transports listeners to another era. The Rolling Stones’ “Lady Jane” introduces a baroque pop influence, its courtly and poetic lyrics adding a touch of Renaissance elegance to this list. Fleetwood Mac’s “Sentimental Lady,” a soft, introspective piece, captures themes of nostalgia and longing with Bob Welch’s characteristic warmth and simplicity. Finally, Jimi Hendrix’s “Foxy Lady” closes the list with raw, electrifying guitar riffs and a bold expression of attraction, embodying the spirit of rock and roll itself.

Each of these songs brings a distinct perspective and sound to the theme, making this collection a vibrant tribute to the iconic figure of “Lady” in rock and roll. Together, they create a dynamic listening experience, blending romance, humor, mystery, and raw energy—a compelling journey through some of the most memorable interpretations of “Lady” in music history.

# 10 – Lady – Styx

Opening this list of the 10 Best Songs with the Word ‘Lady’ in the Title, “Lady” by Styx sets the tone with its captivating melody and heartfelt lyrics, embodying the emotional depth that makes songs with this theme resonate. Released in 1973 on the album Styx II, “Lady” was written by Dennis DeYoung as a tribute to his wife, Suzanne, marking a personal milestone as his first composition for her. Originally recorded at Paragon Studios in Chicago, the song was initially met with limited national success. However, it became a local sensation in Chicago, eventually finding its way to the Billboard Hot 100, where it peaked at number six in 1975 after gaining momentum on WLS Radio thanks to DJ Jim Smith. This exposure turned “Lady” into one of Styx’s breakthrough hits and solidified their place on the national rock scene.

Musically, “Lady” combines the power ballad structure with Styx’s unique blend of rock and classical influences. Dennis DeYoung’s rich baritone vocals and expressive piano performance are the song’s backbone, adding a grandiose feel that makes the track both intimate and epic. Interestingly, DeYoung had originally written the song on an electric piano but switched to acoustic when he encountered one in the studio, deciding it provided the right resonance for the song’s emotional weight. The arrangement gradually builds in intensity, with James Young and John Curulewski’s guitars adding layers of texture and drama, while Chuck Panozzo’s bass and John Panozzo’s drums keep the tempo grounded, creating a balanced sound that allowed Styx to stand out among their contemporaries.

Lyrically, “Lady” speaks to themes of love and devotion, with DeYoung’s words painting a portrait of admiration and gratitude. Phrases like “Lady, when you’re with me I’m smiling” and “Lady, from the moment I saw you / Standing all alone / You gave all the love that I needed” capture a heartfelt tribute to a love that brings light and completeness to one’s life. The recurring refrain, “Lady, your love’s the only love I need,” emphasizes the song’s central message of unwavering love and loyalty. This romantic devotion, combined with the powerful instrumentation, turns “Lady” into an anthem of love and reverence, fitting beautifully as the first song in this collection of ‘Lady’ titles. As a track that bridges personal affection with grand musical execution, “Lady” remains an essential part of Styx’s legacy and a timeless piece that highlights the beauty of heartfelt expression in rock music.

Read More: 10 Most Rocking Styx Songs

# 9 – Lady Madonna – The Beatles

“Lady Madonna,” released in March 1968, represents a stylistic shift for the Beatles as they moved away from the psychedelic sounds of Sgt. Pepper’s Lonely Hearts Club Band toward a more straightforward, rhythm-driven rock sound. Primarily written by Paul McCartney and credited to Lennon–McCartney, “Lady Madonna” was recorded on February 3 and 6 at Abbey Road Studios in London, just before the band’s trip to India. The single was released as a mono-only track in the UK, backed with “The Inner Light,” marking it as the final Beatles single on the Parlophone label before the band transitioned to their own Apple Records. “Lady Madonna” reached number one on the UK charts for two weeks beginning on March 27 and peaked at number four on the Billboard Hot 100 in the United States.

# 8 – Lady – Little River Band

“Lady” by Little River Band captures the mellow rock sound and heartfelt lyricism that defined the Australian group’s popularity in the late 1970s. Written by band member Graeham Goble, this track was released in September 1978 as the third single from Sleeper Catcher, their fourth studio album. The song quickly became a fan favorite and climbed to number ten on the Billboard Hot 100 in the United States by April 1979, demonstrating Little River Band’s appeal beyond their native Australia. Produced by John Boylan and recorded in the U.S., Sleeper Catcher marked an important chapter in the band’s career, solidifying their success on the international stage. “Lady” remains one of their signature songs, a romantic ode that continues to resonate for its catchy melody and introspective lyrics.

The inspiration for “Lady” came from a memory Goble had of a woman he saw dancing at a hotel show in Melbourne in 1973, a vision that stuck with him and influenced the song’s wistful tone. The lyrics, “Look around you, look up here / Take time to make time, make time to be there,” emphasize the value of presence and emotional connection, themes that imbue the song with warmth and relatability. In the verses, Goble’s narrator recalls a past love and expresses a subtle yearning to reconnect with a new “lady” he finds captivating. Lines like, “Oh, lady, I think it’s only fair I should say to you / Don’t be thinking that I don’t want you, ‘cause maybe I do,” convey a vulnerability and longing, adding depth to the otherwise simple narrative of admiration and attraction.

Musically, “Lady” showcases Little River Band’s characteristic blend of soft rock and smooth harmonies. The arrangement centers on the gentle yet steady rhythm section, with Goble’s vocal delivery seamlessly interwoven with harmonies from bandmates Glenn Shorrock, Beeb Birtles, and others, creating a lush sound that gives the song a timeless quality. The instrumental arrangement complements the introspective lyrics, and the warm, polished production enhances the song’s reflective atmosphere. Placing “Lady” alongside other songs on this list such as Lady Madonna by The Beatles and Lady by Styx, Little River Band’s take on the theme adds a softer, contemplative perspective on attraction and connection. As an enduring favorite, “Lady” by Little River Band captures the essence of late ’70s soft rock while remaining a standout track in the band’s catalog and a defining piece on this list celebrating songs with “Lady” in the title.

Read More: Top 10 Little River Band Songs

# 7 – Dude Looks Like A Lady – Aerosmith

“Dude (Looks Like a Lady)” by Aerosmith brings a brash, high-energy vibe to this list of songs with “Lady” in the title. Released as the lead single from Permanent Vacation in 1987, this track marked a comeback for Aerosmith, who had faced a challenging period in their career prior to this album’s release. Written by Steven Tyler, Joe Perry, and songwriter Desmond Child, the song combines Aerosmith’s signature hard rock edge with a playful, blues-inspired melody, showcasing the band’s knack for blending humor with gritty rock instrumentation. Produced by Bruce Fairbairn, Permanent Vacation was recorded in Vancouver, British Columbia, and its success reestablished Aerosmith’s status as rock heavyweights in the late ‘80s.

The inspiration for “Dude (Looks Like a Lady)” came from an encounter in which Tyler mistook Mötley Crüe’s Vince Neil for a woman due to Neil’s long blonde hair. The mix-up became a running joke among Tyler and his bandmates, sparking the catchy, unforgettable chorus. The lyrics playfully narrate the surprise and confusion of encountering someone who defies conventional gender appearance, with lines like, “So never judge a book by its cover / Or who you gonna love by your lover.” This line, paired with the exuberant refrain “Dude looks like a lady,” captures a sense of openness and humor, allowing Aerosmith to address themes of identity and attraction in a way that feels lighthearted and bold.

Musically, “Dude (Looks Like a Lady)” is driven by Tyler’s dynamic vocals, Perry’s blazing guitar riffs, and Joey Kramer’s pounding drum work, giving the song an infectious groove. The saxophone solo and brass accompaniment add a touch of funk and blues, showcasing Aerosmith’s versatility and willingness to experiment with their sound. This track stands in stark contrast to other songs on this list, such as Styx’s “Lady” or Little River Band’s “Lady,” which focus on romantic admiration and vulnerability, while Aerosmith brings an unapologetic rock bravado. With its catchy riff, energetic arrangement, and humorous yet provocative lyrics, “Dude (Looks Like a Lady)” exemplifies Aerosmith’s flair for crafting unforgettable rock anthems, making it an essential part of this collection of “Lady” songs.

Read More: Joe Perry of Aerosmith Interview: 13 Albums That Changed My Life

# 6 – Lay Lady Lay – Bob Dylan

“Lay Lady Lay,” released on Bob Dylan’s Nashville Skyline in 1969, marks a significant departure from Dylan’s earlier sound, as he trades his famously nasal vocal tone for a low, gentle croon. Written during Dylan’s exploration of country music, this song became one of the defining tracks of his career and is emblematic of the mellow, introspective quality that characterizes much of Nashville Skyline. Produced by Bob Johnston and recorded at Columbia Recording Studios in Nashville, Tennessee, the song has become a classic, widely covered and revered for its warmth and simplicity. As the album’s most successful single, “Lay Lady Lay” reached number seven on the Billboard Hot 100, underscoring Dylan’s ability to connect with a broad audience through both lyrical depth and musical experimentation.

The lyrics of “Lay Lady Lay” are tender and evocative, inviting the listener into an intimate moment of vulnerability and longing. With lines such as “Lay across my big brass bed” and “I long to see you in the morning light,” Dylan creates a vivid scene of romance and comfort. The refrain, “Stay, lady, stay,” underscores a desire for connection and a reluctance to let the night end. Unlike the poetic complexity of Dylan’s earlier work, “Lay Lady Lay” is straightforward in its language, conveying a sense of earnest simplicity that aligns with the country tone of the album. This directness in the lyrics adds to the song’s universal appeal, making it a relatable love song that resonates with listeners across generations.

Musically, “Lay Lady Lay” features a steady, relaxed rhythm supported by Pete Drake’s distinctive pedal steel guitar, which adds a dreamy, atmospheric quality to the track. Kenny Buttrey’s subtle drumming and Charlie Daniels’ gentle bass create a warm, flowing foundation, enhancing the song’s soothing vibe. Dylan’s vocal style in this song, along with the arrangement’s minimalistic elegance, offers a contrast to other tracks on this list, such as Aerosmith’s “Dude (Looks Like a Lady),” which brings an entirely different rock energy. Instead, “Lay Lady Lay” is reflective and soulful, adding a different layer to this collection of “Lady” songs by providing a softer, more introspective interpretation of desire and romance. Dylan’s willingness to embrace a new sound with Nashville Skyline makes “Lay Lady Lay” a standout not only within this album but also in his expansive catalog, and its timeless appeal secures its place on this list as a gentle, enduring classic.

Read More: Celebrating Another Sold Out Bob Dylan Birthday Tribute Show

# 5 – That Lady, Pt. 1 – Isley Brothers

“That Lady, Pt. 1,” released by The Isley Brothers in 1973, brings an electric, soulful energy to this list of “Lady” songs with its unforgettable groove and searing guitar work. Featured on their album 3 + 3, this track marked a new era for the group, with younger brothers Ernie and Marvin Isley and brother-in-law Chris Jasper officially joining the lineup, transforming The Isley Brothers into a six-piece ensemble. The addition of these members infused fresh funk and rock influences into their sound, which is on full display in “That Lady, Pt. 1.” Produced by the band and recorded at the renowned Record Plant Studios in Los Angeles, this song became a major hit, reaching number six on the Billboard Hot 100 and cementing the Isleys’ place in the landscape of funk, R&B, and rock.

The lyrics of “That Lady, Pt. 1” portray a sense of longing and fascination as Ronald Isley’s vocals implore the enigmatic “lady” to reveal herself and acknowledge him. With lines like, “Who’s that lady? / Beautiful lady,” the song captures the mystery and allure of a woman who appears unattainable and mesmerizing. The verses are filled with admiration, while the chorus reflects a yearning to get closer to this elusive figure. Unlike romantic ballads that focus on emotional intimacy, “That Lady, Pt. 1” explores attraction from a distance, building an air of intrigue that’s amplified by the song’s intense musical arrangement.

Musically, “That Lady, Pt. 1” is driven by Ernie Isley’s legendary guitar solo, played on a Fender Stratocaster with a wah-wah pedal, which gives the track a unique, psychedelic sound. This fiery solo has often been compared to the work of Jimi Hendrix, who had previously collaborated with the Isleys and left a lasting influence on their style. Supported by Jasper’s smooth keyboard lines and Marvin Isley’s dynamic bass, the track moves with a pulsating rhythm that combines funk and rock elements, making it both danceable and electrifying. This vibrant energy sets it apart from other songs on this list, such as Bob Dylan’s “Lay Lady Lay,” offering a different kind of intensity and allure. “That Lady, Pt. 1” showcases the Isley Brothers’ ability to blend genres seamlessly, and its infectious groove and memorable guitar riff have solidified it as an enduring classic that adds a powerful, funky edge to this collection of “Lady” songs.

Read More: Top 10 Isley Brothers Songs

# 4 – Green Eyed Lady – Sugarloaf

“Green Eyed Lady,” released in 1970 by Sugarloaf, stands as a quintessential fusion of rock and jazz influences, driven by its hypnotic groove and mesmerizing organ riffs. Written by band members Jerry Corbetta and J.C. Phillips, along with producer David Riordan, this track was the breakthrough single from Sugarloaf’s self-titled debut album, reaching number three on the Billboard Hot 100. Recorded at Original Sound Studios in Los Angeles, the song’s distinct blend of psychedelic rock, jazz, and blues elements showcased the band’s musical versatility and gave them a unique sound that stood out in the rock landscape of the early 1970s.

Lyrically, “Green Eyed Lady” captures the mystique and allure of an enigmatic woman, described through rich imagery as “a lady, lovely lady / Strolling slowly towards the sun.” The song’s lyrics reflect a sense of admiration mixed with intrigue, as the “green eyed lady” appears both captivating and elusive. This air of mystery complements the song’s dark, moody soundscape, creating an immersive experience that invites listeners to get lost in its swirling melodies. Corbetta’s vocals, smooth and slightly haunting, add to this atmospheric quality, making “Green Eyed Lady” as much about mood as it is about storytelling.

Musically, “Green Eyed Lady” is anchored by Corbetta’s Hammond organ riff, which propels the song with a hypnotic rhythm, punctuated by Bob Webber’s intricate guitar work and Bob MacVittie’s steady drumming. The track features an extended instrumental section that highlights each musician’s skill, blending rock intensity with jazz improvisation—a combination that was rare for mainstream rock at the time. This song’s sophisticated, jazz-inspired structure contrasts with other songs on this “Lady” list, such as Aerosmith’s high-energy “Dude (Looks Like a Lady)” or the soulful groove of The Isley Brothers’ “That Lady, Pt. 1.” “Green Eyed Lady” remains an enduring classic, celebrated for its bold instrumentation, infectious groove, and its distinctive place in rock history as a haunting ode to mystery and allure.

Read More: Top 10 Sugarloaf Songs

# 3 – Lady Jane – The Rolling Stones

“Lady Jane,” released by The Rolling Stones on their 1966 album Aftermath, showcases the band’s exploration of baroque pop with its gentle, Renaissance-inspired sound and poetic lyrics. Written by Mick Jagger and Keith Richards, this track marked a departure from the band’s blues-based rock roots, incorporating classical elements and a refined instrumentation that highlighted their musical range. Recorded at RCA Studios in Hollywood and produced by Andrew Loog Oldham, Aftermath was The Rolling Stones’ first album composed entirely of original material, with “Lady Jane” standing out for its delicate, almost courtly style. Though not released as a single, the song became a favorite among fans and is regarded as a unique gem within the band’s early catalog.

The lyrics of “Lady Jane” evoke a sense of romantic yearning and sophistication, drawing from themes of chivalry and aristocratic love. With lines like “My sweet Lady Jane, when I see you again / Your servant am I, and will humbly remain,” Jagger adopts the voice of a devoted admirer who pledges loyalty and affection. The archaic language and refined tone suggest a longing that is both timeless and deeply personal, evoking images of courtly romance. This language, combined with the song’s graceful melody, allows “Lady Jane” to stand out as a rare moment of lyrical tenderness and formality in The Rolling Stones’ discography.

Musically, “Lady Jane” is defined by Brian Jones’s use of the Appalachian dulcimer, an instrument that brings a haunting, medieval quality to the arrangement, complementing Jagger’s soft, introspective vocals. Richards’s acoustic guitar adds a warm, steady foundation, while Jack Nitzsche’s harpsichord lines elevate the song’s delicate, baroque atmosphere. The instrumental blend creates a serene and wistful mood, contrasting sharply with the rougher rock energy found in many of the Stones’ other tracks. Compared to the bolder tones of other songs on this list, like Aerosmith’s “Dude (Looks Like a Lady)” or the funk-infused sound of The Isley Brothers’ “That Lady, Pt. 1,” “Lady Jane” adds a softer, more introspective layer to this collection of “Lady” songs. Its timeless melody and delicate instrumentation have made it an enduring piece, offering a sophisticated, romantic perspective that reflects The Rolling Stones’ versatility and willingness to experiment beyond their established style.

Read More: Top 10 Rolling Stones Love Songs

# 2 – Sentimental Lady – Fleetwood Mac

“Sentimental Lady,” written by Bob Welch and originally recorded by Fleetwood Mac, stands as a soft, reflective piece that captures the romantic longing and emotional depth characteristic of Welch’s songwriting. The song first appeared on Fleetwood Mac’s 1972 album Bare Trees and showcases a different side of the band’s sound during Welch’s tenure. Recorded at De Lane Lea Studios in London and produced by Fleetwood Mac, the song reveals the band’s ability to balance introspective lyrics with a gentle, melodic sound, highlighting Welch’s nuanced contribution to the Fleetwood Mac lineup before his departure in 1974. In 1977, Welch re-recorded “Sentimental Lady” for his solo album French Kiss, with former Fleetwood Mac members Christine McVie and Mick Fleetwood contributing to the track, which gave it renewed popularity, reaching number eight on the Billboard Hot 100.

The lyrics of “Sentimental Lady” are tender and introspective, speaking to themes of love, nostalgia, and vulnerability. Welch’s lines, such as “You are here and warm, but I could look away and you’d be gone,” capture a bittersweet sense of longing and the fleeting nature of connection. The phrase “sentimental gentle wind” reflects the soft, wistful feeling that runs throughout the song, giving it a timeless quality that evokes both romance and melancholy. This sentiment is expressed with simplicity and sincerity, making “Sentimental Lady” resonate deeply with listeners who relate to its themes of tender devotion and the fragility of love.

Musically, the Fleetwood Mac version of “Sentimental Lady” is marked by Welch’s soothing vocals, soft acoustic guitar work, and the band’s subtle backing harmonies, which create a warm, intimate atmosphere. The arrangement is understated, with McVie’s keyboards and Fleetwood’s gentle drumming adding depth without overwhelming the song’s delicate tone. This soft, sentimental sound contrasts with the heavier tracks on this list, like Aerosmith’s “Dude (Looks Like a Lady)” or The Isley Brothers’ funk-infused “That Lady, Pt. 1.” In the context of this list, “Sentimental Lady” brings a quieter, more reflective mood, adding emotional diversity to this collection of “Lady” songs. Welch’s ability to convey complex emotions with simplicity and elegance has made “Sentimental Lady” an enduring favorite and a testament to his distinctive impact on Fleetwood Mac’s legacy.

Read More: Top 10 Bob Welch Fleetwood Mac Songs

# 1 – Foxy Lady – Jimi Hendrix Experience

“Foxy Lady,” the closing track on this list, brings an electrifying finish with one of rock’s most iconic and raw expressions of attraction. Released in 1967 on Are You Experienced, the debut album of The Jimi Hendrix Experience, this song showcases Jimi Hendrix’s revolutionary guitar work, seductive vocals, and the undeniable charisma that defined his artistry. Written by Hendrix and produced by Chas Chandler, “Foxy Lady” was recorded at De Lane Lea Studios in London, where Hendrix and his bandmates—bassist Noel Redding and drummer Mitch Mitchell—crafted a sound that would go on to influence countless rock musicians. Though it didn’t chart as a single, “Foxy Lady” became a defining song for Hendrix and remains one of his most celebrated performances.

The lyrics of “Foxy Lady” are straightforward yet powerful, with Hendrix directly addressing the object of his desire: “You know you’re a cute little heartbreaker / Foxy.” This bold declaration, coupled with the repeated refrain of “Here I come, baby, I’m coming to get ya,” conveys a sense of raw, unfiltered attraction. Unlike other songs on this list that explore themes of romantic admiration, mystery, or introspection, “Foxy Lady” exudes pure confidence and physical desire. Hendrix’s performance is charged with energy, as he uses his voice and guitar to embody the essence of passion, making the song a standout in both lyrical content and delivery.

Musically, “Foxy Lady” opens with an unforgettable, grinding guitar riff that sets the tone for the entire song. Hendrix uses a blend of distortion, sustain, and feedback, creating a gritty, tactile sound that captures his unique style and pioneering approach to electric guitar. The rhythm section, with Redding’s driving bass line and Mitchell’s pounding drums, provides a solid foundation that allows Hendrix’s guitar to soar. This powerful, hypnotic groove, coupled with Hendrix’s scorching guitar solo, makes “Foxy Lady” a true anthem of rock and desire.

As the closing track on this list of “Lady” songs, “Foxy Lady” brings an unapologetic intensity and boldness, contrasting sharply with softer tracks like Bob Dylan’s “Lay Lady Lay” and Styx’s “Lady.” Ending with Hendrix’s fiery energy, the song highlights the daring, innovative side of rock music and cements his place as a revolutionary artist. “Foxy Lady” not only exemplifies Hendrix’s profound influence on rock guitar but also brings this collection of “Lady” songs to a dynamic and powerful close.

Read More: 10 Most Underrated Jimi Hendrix Songs